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Feb 21

It is no secret that relationship crises are a common side effect of menopause. Usually this is attributed to the crazy-making effects of the hormonal shifts occurring in a woman’s body at this time of transition. What is rarely acknowledged or understood is that as these hormone-driven changes affect the brain, they give a woman a sharper eye for inequity and injustice, and a voice that insists on speaking up about them. In other words, they uncover hidden wisdom — and the courage to voice it. As the vision-obscuring veil created by the hormones of reproduction begins to lift, a woman’s youthful fire and spirit are often rekindled, together with long-sublimated desires and creative drives. Midlife fuels those drives with a volcanic energy that demands an outlet.

If it does not find an outlet — if the woman remains silent for the sake of keeping the peace at home or work, or if she holds herself back from pursuing her creative urges and desires — the result is equivalent to plugging the vent on a pressure cooker: Something has to give. Very often what gives is the woman’s health, and the result will be one or more of the “big three” diseases of postmenopausal women: heart disease, depression, and breast cancer. On the other hand, for those of us who choose to honor the body’s wisdom and to express what lies within us, it’s a good idea to get ready for some boat rocking, which may put long-established relationships in upheaval. Marriage is not immune to this effect.


Christaine Northrup, MD


Feb 11

Works in detritus

Untitled, currently known as the Coral Lady - process

Untitled, currently known as Tim’s Mary - process


Jan 8

Most of us have been taught to believe that being a cyclical creature is a primitive or inferior affair. We believe that we will be less productive, less useful or just plain stupid if we allow ourselves to follow the rhythm of our cycles.

However, there is much grace, flow and harmony to be achieved through living in a cyclic manner. Being able to recognise and use the most appropriate energy that is available to you at any given moment is in fact a far more efficient use of time and energy.


Nadia MacLeod


Nov 5
Ben Slow
“Time May Tell” 122cm X 91cm emulsion, spray paint, acrylic, ink and charcoal on canvas
From The West London Art Factory exhibition at The Hospital Club

Ben Slow

“Time May Tell”
122cm X 91cm
emulsion, spray paint, acrylic, ink and charcoal on canvas

From The West London Art Factory exhibition at The Hospital Club


Sep 30
Erin Currier
“Vietnamese Schoolgirls”48” x 60”From Viet Nam to Venezuela series

Erin Currier

“Vietnamese Schoolgirls”
48” x 60”
From Viet Nam to Venezuela series


Erin Currier
“Sati”48” x 60”Seven Miles Per Second series

Erin Currier

“Sati”
48” x 60”
Seven Miles Per Second series


Erin Currier
“Sati”36” x 38”Liberation series

Erin Currier

“Sati”
36” x 38”
Liberation series


Jun 1

Mar 7
source unknown

source unknown

(via dancergena)


Feb 19
source unknown

source unknown


Feb 12
Model: Eva Riccobono
(via tush) 

Model: Eva Riccobono

(via tush) 


Jan 27
Albert-Ernest Carrier-Belleuse
“Veiled Vestal” 1859
Artist JoAnna Brooks questioned, in response to my work with portraits and fabrics (see Anodynus) if I ever have explored the portraiture directly on the fabric. The answer was no, but it’s a theme I will begin next. This bust is the perfect 3-dimensional preview of what will come. The wooden tone is rather haunting, almost giving the sense of an embalmed body, partially decomposed.
(via billyjane: RMN)

Albert-Ernest Carrier-Belleuse

“Veiled Vestal” 1859

Artist JoAnna Brooks questioned, in response to my work with portraits and fabrics (see Anodynus) if I ever have explored the portraiture directly on the fabric. The answer was no, but it’s a theme I will begin next. This bust is the perfect 3-dimensional preview of what will come. The wooden tone is rather haunting, almost giving the sense of an embalmed body, partially decomposed.

(via billyjane: RMN)


Tamara de Lempicka
“La Couronne de fleurs II ” 1932
(via billyjane)

Tamara de Lempicka

“La Couronne de fleurs II ” 1932

(via billyjane)


Jan 18
Nathalia Suellen

Nathalia Suellen


Nathalia Suellen

Nathalia Suellen


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